Animation 25

Seeing stationarity emerge in closely spaced paths

symmetry-many-slit-paths-phasors-interference.mp4

These are sparse samples decoded from the current MP4, not newly rendered illustrations. They can support checks of the sampled states and labels, but cannot establish continuous motion, timing, transitions, or the absence of problems between samples. Use the full MP4 when judging those properties.

1280 × 720 · 24 fps · 22.5 s · 540 frames · 12 samples

MP4 SHA-256 05a021cdde8ada00ecd1e43d59d990d0be25a7892cc0cced8b7e047303be2a3e

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Chapter context

Section: Wave Propagation and Interference. Excerpts are verbatim; line numbers refer to the included chapter markdown.

Caption

Seeing stationarity emerge in closely spaced paths

Image description

Many paths, their complex sum, and the resulting interference pattern

Before the animation

Chapter lines 1191–1191

We can repeat the same procedure with many more paths. As the path deviates more from a straight, minimum length path, it has a greater first-order change in phase. (This is the common result from calculus that near a function's minimum, there is no change to the value of the function in the first order of the argument.) When the candidate paths are far from the stationary value, their phases vary greatly, effectively cancelling out their contributions to the total sum. On the other hand, the phases of the paths near the stationary path align and dominate the sum. The green line in the tip-to-tail pane of the animation shows the sum of each of these contributions, giving the amplitude at $B$. The resulting intensity on the projection screen is the square of this magnitude.

After the animation

Chapter lines 1199–1199

We can extend this procedure to its limit and include infinitely many screens with infinitely many slits, and recover unobstructed propagation. In the following animation, we start with a plane wave and recover that same wave. This construction, which provides a bridge to Feynman’s path integral formulation of quantum mechanics, has its roots in Huygens’ wavelets from the late 1600s, extended by Fresnel to include interference in the early 1800s.

Generation source

The same-named canonical entrypoint's main() now delegates to generate_symmetry_desktop_wave_bookends.render_canonical_desktop(); its older draw_frame helpers alone do not reproduce the accepted movie. V7 adds a 96-frame intensity-colored wave intro to a 444-frame centered 49-slit body, then concatenates with FFmpeg stream copy. The recorded build reused content/drafts/animations/iterations/symmetry-many-slit-paths-phasors-interference-20260911T150313560139Z-centered-body.mp4, with its .model.json record; running the canonical entrypoint regenerates that body, while the bookends script supports --reuse-middle. Shared geometry imports pass through the old canonical helpers, wave_paths_explainer, and step2_packet_summary_point. All five main V7 implementation/model files are byte-identical to their scripts/iterations/*-20260911T155628136531Z-v7.py snapshots.

Mapping evidence and limits

Canonical validation identifies iterations/symmetry-many-slit-paths-phasors-interference-v7-intensity-in-the-wave.mp4, 540 frames, 24 fps, 22.5 s, 1280 x 720, the exact body input, and middle_decoded_frames_identical=true. The current MP4 SHA-256 matches its recorded video_sha256 (05a021cdde8ada00ecd1e43d59d990d0be25a7892cc0cced8b7e047303be2a3e). notes/worked/desktop-wave-intensity-field.md confirms the canonical entrypoint and V7 implementation.

Source SHA-256 values identify the exact downloadable bytes in this packet. The source mapping and recorded checks explain the likely generation pipeline; they do not prove that these exact source bytes produced the movie. A GitHub link pinned to a commit is provided only when the delivered source bytes exactly match that path at the build's Git HEAD.

Existing generator checks (1 reports)

These are existing author-produced generator reports, copied without changes. Their checks were not rerun for this packet and are not independent certification. A report may describe an earlier generation run; inspect its contents before applying its claims to the current movie.

Decoded contact sheet

Extraction method: Twelve evenly spaced decoded frame indices, including first and last. Native-resolution JPEGs from the encoded MP4; timestamps read from FFmpeg showinfo. No source rerendering. Frame indices are zero-based. Sparse samples do not establish continuous motion or capture every transition.. Frame indices are zero-based.

Timestamped decoded frames from symmetry-many-slit-paths-phasors-interference.mp4
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